大学生闹北京原因:爱德华Coley Burne-Jones（一）

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爱德华Coley Burne-Jones（一）
2011-06-14
引自世界名画苑
艺术家:先生爱德华Coley Burne-Jones
Edward Coley Burne-Jones at Artprice.爱德华。Coley Burne-Jones在显示。To look at auction records, find Burne-Jones's works in upcoming auctions, check price levels and indexes for his works, read his biography and view his signature, access the Artprice database.看Burne-Jones拍卖纪录,发现作品在即将拍卖的价格水平和指标,检查他的作品,读他的传记和将他的签名、访问显示数据库。
Burne-Jones was born in Birmingham, the son of the owner of a small framing business. Burne-Jones出生在伯明翰的主人的儿子一个小框架的生意。His mother died within a week of his birth. 他母亲去世后他的出生在一个星期内。He was educated at King Edward’s School in Birmingham, and, since he was gifted at drawing, attended a government School of Design on three evenings a week since 1848. 他受教于国王爱德华的学校在伯明翰,自从他参加了一个擅长于绘画,设计学院在政府自1848年每周用三个晚上。In 1853 he went to Exeter College, Oxford, with the intention of eventually entering the Church. 在1853年,他去了埃克塞特大学、牛津、意图最后进入了教堂。There he met William Morris, who was to become his lifelong friend and an associate in a number of decorative projects.在那儿他遇见了威廉·莫里斯,成为他的终身朋友和准在多个装饰工程。
As the result of seeing Rossetti’s works, Burne-Jones and Morris became late recruits to Pre-Raphaelitism. 由于看到·罗塞蒂的作品时,Burne-Jones和莫里斯成了新兵到Pre-Raphaelitism晚。Early in 1856, Burne-Jones met Ruskin and Rossetti and managed to persuade the latter to accept him as a pupil; he and Morris left Oxford and started their artistic careers under Rossetti’s guidance. 早在1856年,Burne-Jones遇见罗斯金·罗塞蒂并设法说服,后者接受他作为一个学生,他和莫里斯离开牛津大学和职业生涯开始了他们的艺术指导下·罗塞蒂。His earliest paintings are carried out in watercolor. 他最早是在水彩绘画进行。Burne-Jones produced a number of versions of the ballad subject Fair Rosamond: Fair Rosamond and Queen Eleonor. Burne-Jones制作了许多版本的主题:公平公正民谣罗莎和王后Eleonor罗莎。This story was very popular with the Pre-Raphaelites and had already been used by Rossetti and Hughes.这个故事很受欢迎,已经难于捉摸的运用·罗塞蒂和休斯。
Meanwhile the friends founded a decorating business, the company William Morris & Co. 同时建立了一个朋友装修业务、公司及公司威廉莫里斯。Burne-Jones was one of the directors and his prolific inspiration and rapidity of execution made him of crucial value for the firm. Burne-Jones是一个导演和他的多产的灵感,使他的执行速度的关键价值的公司。While his painting moved inevitably away from the influence of Rossetti and the Pre-Raphaelites, his decorative work remained a continuing contribution to the evolution of Pre-Raphaelite design. 在他的画移动的影响不可避免地离开,他和难于捉摸·罗塞蒂装饰效果仍然是一个持续的贡献的进化设计拉斐尔前派。He made designs of tapestries and stained glass windows. 他设计的挂毯和彩色玻璃窗。A number of the decorative designs were turned into paintings, rather than vice versa. 许多装饰设计变为绘画,而不是反之亦然。For example, King Mark and La Belle Iseult (1862) originated as a stained glass design and is in fact painted on top of a stained-glass carton.例如,马克和洛杉矶美女Iseult王(1862)起源于一个彩色玻璃设计和实际上是画在前一个stained-glass纸箱。
From the mid-1860s, Burne-Jones's paintings become larger and more monumental, suggesting his interest in Botticelli, Mantegna and Michelangelo. 从1860年中期,Burne-Jones夫妇的画作变得越来越多,这表明他巨大的兴趣,“波提切利与米开朗基罗。Burne-Jones was an extremely hard worker and, in consequence, a very prolific artist. Burne-Jones是一个工作非常努力的人,因此,一个非常多产的艺术家。His Pre-Raphaelite pieces form a relatively small part of his total work. 他的拉斐尔前派件形成一个相对较小的部分他的总工作。Some art historians consider Burne-Jones's Pre-Raphaelite phase an attack of 'Pre-Raphaelite measles’, identifying him rather as a romantic, a symbolist and an aesthete. 一些艺术历史学家认为Burne-Jones拉斐尔前派阶段的攻击”,“拉斐尔前派麻疹指明他更像一个浪漫,一个symbolist和一位。Nevertheless, the influence of Rossetti was crucial to the development of Burne-Jones’s poetic imagination. 然而,·罗塞蒂的影响是至关重要的Burne-Jones发展的诗意的想象力。His early works, painted under the personal guidance of Rossetti from similar medieval and literary sources, or resulting from Burne-Jones’s own fascination with fifteenth century Florentine art are a valuable contribution to PreRaphaelitism. 他的早期作品,画出的亲自领导下从类似中世纪和文艺·罗塞蒂的来源,或造成的迷恋Burne-Jones十五世纪佛罗伦萨艺术是一个宝贵的贡献,PreRaphaelitism。And, of course, his paintings influenced the Aesthetic movement and Art Nouveau design to a great extend. 当然,他的绘画的影响和新艺术设计美学运动,一个伟大的伸展。In 1890, Burne-Jones was elected to the Royal Academy, but resigned only three years later.在1890年,Burne-Jones当选为皇家学院,但辞职只用了3年。
Katie Lewis. 凯蒂·刘易斯。A very Whistlerian picture, a 'harmony in orange', by the artist who sided with Ruskin at the Ruskin-Whistler trial. 一个非常Whistlerian图片,一个“和谐的,橙色的艺术家在Ruskin-Whistler站在罗斯金的审判。Katie Lewis was the recipient of the famous 'Letters to Katie' and she was the daughter of Sir George Lewis, an eminent lawyer.凯蒂·刘易斯收件人著名的“信”,她是凯蒂·刘易斯先生的女儿,一位杰出的律师乔治。




























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