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艺术家:Dosso Dossi
2011-06-19
引自世界名画苑
Dosso Dossi (c. 1490 – 1542),[1] real name Giovanni di Niccolò de Luteri, was an Italian Renaissance painter who belonged to the Ferrara School of Painting. Dosso Dossi(c。1490年—1542年),[1]尼科洛·吉奥瓦尼·迪真名Luteri,是意大利文艺复兴时期的画家Ferrara属于学校的绘画。Dossi was born in San Giovanni del Dosso a village in the province of Mantua. Dossi出生在圣乔瓦尼·德尔·Dosso一个村落在曼省。His early training and life is not well documented; his father, originally of Trento, was a bursar (spenditore or fattore) for the Dukes of Ferrara. 他的早期训练,生命也没有较好地文献记载,他的父亲,原来的Trento,是一个bursar(spenditore或fattore)Ferrara族长。He may have had training locally with Lorenzo Costa or in Mantua, where he is known to have been in 1512. 他可能有培训或在本港洛伦佐·科斯塔曼,他被认为是在1512年。By 1514, he would begin three decades of service for dukes Alfonso I and Ercole II d'Este, becoming principal court artist. 到1514年,他开始了30年的服务,我和Ercole族长二维阿方索'Este法院,成为主要的艺术家。Dosso worked frequently with his brother Battista Dossi, who had trained in the Roman workshop of Raphael. Dosso经常工作和他的兄弟,谁曾受训于Battista Dossi在罗马车间拉斐尔。The works he produced for the dukes included the ephemeral decorations of furniture and theater sets. 他的作品制作的族长的短暂的包括家具和装饰品戏剧集。He is known to have worked alongside il Garofalo in the Costabili polyptych. 大家都知道他曾与il Garofalo在Costabili polyptych。One of his pupils was Giovanni Francesco Surchi (il Dielai). 他的一个学生是吉奥瓦尼·弗朗西斯科·Surchi(il Dielai)。Dosso Dossi is known less for his naturalism or attention to design, and more for cryptic allegorical conceits in paintings around mythological themes, a favored subject for the humanist Ferrarese court (see also Cosimo Tura and the decoration of the Palazzo Schifanoia). Dossi Dosso已知或关注较少,他的自然主义设计,多为寓言几分神秘在绘画作品在神话主题为“以人为本”的一个热门话题,Ferrarese法院(请参见Cosimo Tura与装饰的宫殿Schifanoia)。Freedburg uses the term sprezzatura to refer to Dossi's caricature-like, primitivist, and eccentric distortions of proportion. Freedburg sprezzatura使用这个词指的caricature-like Dossi,primitivist,和古怪的扭曲的比例。Dossi is also known for the atypical choices of bright pigment for his cabinet pieces. Dossi也被选择为典型的明亮的色素为他的内阁的碎片。Some of his works, such as the Deposition have lambent qualities that suggest some of Correggio's works. 他的一些作品,如沉积有lambent素质的一些建议Correggio的作品。Most of his works feature Christian and Ancient Greek themes and use oil painting as a medium. 他大部分的作品基督教和古希腊的主题特征和使用油画作为一种新媒体。The painting Aeneas in the Elysian Fields was part of the Camerino d'Alabstro of Alfonso I in the Este Castle, decorated with canvases depicting bacchanalia and erotic subjects including Feast of the Gods by Giovanni Bellini and Venus Worship by Titian. 这幅画以尼雅在净土的领域是部分的Camerino d 'Alabstro阿方索青年节,我的城堡,饰以油画描绘bacchanalia与爱欲的主题包括盛宴吉奥瓦尼·贝里尼众神礼拜,提香和金星。The frieze paintings were based on the Aeneid; this scene by Dossi is book 6, lines 635-709, wherein Aeneas is guided over the bridge into the Elysian Fields by the Cumaean Sibyl. 穿着宽松的油画的基础上,Dossi Aeneid场景是一本书,其中6、线635-709压制在桥上引导的净土的神巫Cumaean领域。Orpheus with the lyre flits in the forest; in the background are the ghostly horses of dead warriors. 奥菲斯用琴闪烁在森林里;在后台运行的突出的马死去的勇士。In Hercules and the Pygmies, Hercules has fallen asleep after defeating Antaeus, and is set upon by an army of thumb-size pygmies, whom he defeats. 在大力神和侏儒,赫尔克里斯Antaeus睡了打败,并设置经军的侏儒,就是他thumb-size失败。He gathers them in his lion skin. 他聚集他们、在他的狮子皮。Paintings depicting a powerful Hercules were commonly made for the then-ruler Duke Ercole II d'Este. 壁画,描绘一个强大的英雄通常为then-ruler Ercole二维'Este公爵。The subjects of the Mythological Scene and Tubalcain are unknown. 惟有本国的子民神话的场景和土八该隐是未知的。Portrait of a Youth, the only confirmed portrait of Lucrezia Borgia by Dosso Dossi (1514-1516), at the National Gallery of Victoria.一个青年的肖像,唯一的肖像被证实Lucrezia Dosso Dossi博尔贾(1514-1516),在国家美术馆维多利亚。Recently, "Portrait of a Youth" at the National Gallery of Victoria, the mysterious portrait of an unknown subject by an unknown painter, has been identified as a portrait of the infamous Lucrezia Borgia by Dosso Dossi.[2] In Ferrara, among his pupils were Gabriele Capellini, Jacopo Panicciati, and Giovanni Francesco Surchi.[3]近来,“青春”的肖像在国家美术馆维多利亚,神秘的肖像是由一个不知名的主题由一个不知名的画家,被确认为是一幅声名狼藉的Lucrezia由Dosso Dossi博尔贾。[2],在Ferrara在他的学生,Panicciati加布里埃尔·Capellini珈古伯,乔瓦尼弗朗西斯科·Surchi[3]。