17岁正常身高的表格:艺术家:Adolphe Piot

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艺术家:Adolphe Piot

2011-07-19
引自世界名画苑
艺术家:Adolphe Piot
Adolphe Etienne Piot (1850-1910). étienne-Adolphe Piot was born in Digoin, France, often mistaken for Dijon as both cities are located in the Bourgogne region of Eastern France. Adolphe安Piot(1850-1910)。etienne-Adolphe Piot出生在Digoin,法国,经常会被认为是两个第戎,位于法国东部勃艮第地区。Piot's birthdate is unknown. Piot的生日是未知的。What writings are available on Piot, however few, note that he was born in 1850. 什么可以在Piot著作,然而一些应注意,他出生于1850年。These accounts may confuse his first Salon entry with his birth date, which, therefore, should be placed somewhere within the 1820s. 这些帐户可能造成他的第一个沙龙和他的出生日期、入境,因此,应放置在1820年代的地方。Before his start at the Salon in 1850, Piot came to Paris and began studying under Léon Cogniet. 在他开始于1850年,Piot沙龙来到巴黎,开始下学习Cogniet里昂。Clarence Clark explains further that “Piot came to Paris with the rest of the ambitious ones, and found out Cogniet, the good teacher who, besides winning a sterling reputation for himself, helped so many young artists to a career.” At the Salon of 1850, when he began exhibiting his oil paintings, Piot showed Portrait de l’Auteur; dessin (Portrait of the Artist; drawing). 克拉伦斯·克拉克解释说:“Piot进一步来到巴黎与其余的雄心勃勃的人,并发现Cogniet,好的老师,除了为自己赢得一个纯正的声誉,帮助众多年轻艺术家对一个人的职业生涯。”1850年,那时他沙龙开始表现出他的油画肖像,Piot显示'Auteur;dessin德l(艺术家的肖像;图)。In the years before 1876 Piot exhibited paintings under the name Adolphe Piot, though after 1876 he went by Adolphe, Adolphe-étienne, and étienne-Adolphe Piot. 在1876年之前Piot展出Adolphe Piot画名义下,虽然1876年之后他乘Adolphe,Adolphe-etienne,etienne-Adolphe Piot。For the first nineteen years of his public career, Piot exhibited mainly female portrait paintings of his specific patrons at the Salons. 年第一次他的公共事业,Piot女性肖像绘画中主要展出他的特殊顾客在贵宾厅。It was not until the 1870 Salon that Piot began to exhibit oil paintings outside of portraiture. 直到1870年,Piot沙龙开始展示油画以外的真实写照。Throughout his entire Salon period Piot remained a pupil of Léon Cogniet. 在他的整个沙龙时期仍然是一个学生Piot里昂Cogniet。In 1883 Piot became a member of the Société des Artistes Français, and later became a Membre Perpétuel (life-time member). 在1883年Piot成为会员的艺人,法国des法兰西斯Membre Perpetuel后来成为终身会员()。Piot also received an honorable mention in 1890 for his painting submitted to the 1889 Exposition Universelle. Piot也收到一封优秀奖,在1890年对他画Universelle提交1889年世博会。It is not known when Piot died, though his last Salon entry is most likely 1909. 还不知道当Piot人世,但他最后的沙龙条目是最有可能的1909。Either Piot died at a very old age, or he began his Salon career at a very young age. 要么Piot逝世,享年岁。一个非常年老的时候,他开始了他的职业生涯或沙龙在很小的年纪。The length of his Salon entries is exhausting and creates a sense of mystery. 他作品的长度沙龙是使人筋疲力尽的,然后创建一个神秘感。Some intriguing questions remain to be answered. 一些有趣的问题还没有解决。Was étienne-Adolphe the son of Adolphe Piot? 是etienne-Adolphe Adolphe Piot的儿子吗?Was he exhibiting similar paintings and working under the same master? 他表现出类似的绘画和工作在相同的主人吗?Any oil paintings pre-1876 would be attributed to Adolphe Piot, and those after 1890 can be attributed to étienne-Adolphe Piot, if they are indeed two separate artists. 任何油画pre- 1876归结为Adolphe Piot,那些1890年之后,可以归因于Piot etienne-Adolphe,如果他们确实是两个独立的艺术家。The interim period is questionable as the artists, or artists, never exhibited together at one Salon, suggesting that it is, as history says, one artist, instead of two. 过渡时期的艺术家,是值得商榷的,因为或艺术家,永远一起在一沙龙展出,这表明它,正如历史说,艺术家,而不是两个。But this sense of confusion in the names of the painter, and the possibility that he had a son who worked with him or who continued his style of creativity, awaits further clarification. 但是这个意义上的混乱的名字的可能性,画家,他有一个儿子曾和他或他的风格的创造力,继续等待进一步的澄清。Regardless of these issues, oil paintings linked to the name of Adolphe Piot subscribe to the portrayal of the fashionable creation of childlike innocence, both in his youthful sitters and females alike.不管这些问题有关,油画的名字Piot Adolphe订阅的时尚形象的创作都童心,他的??轻sitters和女性相似。In this, even when depicting the lower classes, Piot infused his paintings with a sense of elegant humanity and picturesque refinement that appealed to bourgeois Aesthetic taste which was in the ascendancy during this part of the nineteenth century.在此,即使描绘下层注入了他的画,Piot有高雅的人文和风景如画的精致,呼吁资产阶级的审美情趣,占据了主动,在这部分的19世纪的。