文明5罗马的衰亡:艺术家：Annibale Carracci

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艺术家：Annibale Carracci
2011-08-22引自世界名画苑













































Annibale Carracci出生于博洛尼亚，并在所有的可能性，首先在他的家人当学徒。 In 1582, Annibale, his brother Agostino, and his cousin Ludovico Carracci opened a painters' studio, initially called by some the Academy of the Desiderosi (desirous of fame and learning) and subsequently the Incamminati (progressives; literally "of those opening a new way"). Annibale，他的弟弟阿戈斯蒂诺，和他的堂兄卢多维科Carracci 1582年，开了一个画家的工作室，最初是由一些学院的Desiderosi（名利和学习的渴望）和随后的Incamminati（进步的要求;字面意思是“那些打开一个新的方式“）。 While the Carraccis laid emphasis on the typically Florentine linear draftsmanship, as exemplified by Raphael and Andrea del Sarto, their interest in the glimmering colours and mistier edges of objects derived from the Venetian painters, notably the works of Venetian Oil Painter Titian, which Annibale and Agostino studied during their travels around Italy in 1580-81 at the behest of the elder Caracci Lodovico.虽然Carraccis奠定了典型的佛罗伦萨线性draftsmanship重视，例如拉斐尔和安德烈 - Sarto，他们在闪闪发光的颜色和mistier边缘来自威尼斯画家的对象，特别是威尼斯人油画家提香的作品的兴趣，这Annibale阿戈斯蒂诺研究在1580年至1581年在老Caracci Lodovico的遗志，在其周围意大利旅行。 This eclecticism was to become the defining trait of the artists of the Baroque Emilian or Bolognese School.这折衷主义成为巴洛克艾米利亚或波伦亚学院的艺术家的定义特征。 In many early Bolognese works by the Carraccis, it is difficult to distinguish the individual contributions made by each.在许多早期的Carraccis博洛尼亚工程，这是很难区分每一个人的贡献。 For example, the frescoes on the story of Jason for Palazzo Fava in Bologna (c. 1583-84) are signed Carracci, which suggests that they all contributed.例如，贾森宫法瓦在博洛尼亚（公元前1583年至1584年）的故事壁画签署Carracci，这表明，他们所有的贡献。 In 1585, Annibale completed an altarpiece of the Baptism of Christ for the church of San Gregorio in Bologna. 1585年，Annibale圣格雷戈里奥在博洛尼亚教会完成基督的洗礼的祭坛。 In 1587, he painted the Assumption for the church of San Rocco in Reggio Emilia. 1587年，他画的圣母升天教堂San Rocco酒店在Reg??gio Emilia。